Guess who finally watched Liquid Sky? No, not her, she died years ago. It was me actually. As will soon be seen in great detail.
A quick warning from the off, Liquid Sky is an unusual film with some unusual themes and ideas. So there are going to be big swears (like c-bombs and everything), hard drugs, grubby new-wave synth music, a dash of necrophilia, aliens that feed off of the pleasure secretions of the human brain, androgyny and neon lighting-lots of neon lighting-from here on out. It will be worth it, but if that stuff doesn’t sound like your bag then I’d jump ship now. Why not try a taster with the opening minutes from the film? If you don’t like it you can read something else. I won’t mind. The rest of you, see you in five minutes.
INTRO TO LIQUID SKY
David Cronenberg’s new movie A Dangerous Method is out now. I haven’t seen it yet, this isn’t a review. But thinking about the film led me, naturally, to thinking about sex in Cronenberg’s movies. Specifically, about how Cronenberg’s films offer up images of posthuman sexualities, of erotic experiences beyond the bounds of what human bodies are normally considered capable of. So this post is about Cronenberg’s new flesh. The erotic flesh. The philosophy of which is illustrated in the speech in the video below. Fair warning though: although this audio-visual tour through posthuman sexuality will be stimulating and enlightening, you probably don’t want to be reading this post at work or in front of your Granny. Unless she’s very adventurous.