To be fair that title is deliberately provocative and designed for optimal attention-grabbing value. So lets say right off the bat that I am in now way suggesting that any of the comedians talked about here are actual fascists. This is just for fun and because I like being overly analytical about comedy. Also, there’s a built in double bind which means if you do get offended by my lighthearted assertion that certain forms of comedy and comedians are ‘fascist’ and think I shouldn’t be saying such things then that would indeed make you look like a fascist.
So I’m just going to start and if you are the kind of person who has an irony deficiency (seewhatIdidthere?) then you should probably look away now. Unfortunately, if you do suffer from an irony deficiency then the chances are you will not know this. That’s one of the symptoms. For the rest of you, what follows is an irritatingly contrived attempt to come up with a theory of comedy I will no doubt simply discard and disown as soon as I’ve written. For I am a multiplicity damn it!
Hopefully the writing won’t get too florid and the theory too abstract but it is me writing this, so you can’t say you weren’t prepared if it does. Luckily I’m going to whack a load of videos of comedians in there to illustrate the argument so that should take the edge off things. Basically, the question I want to ask here is, “what is the point of comedy”?
The answer seems obvious; to make people laugh. But that’s a deceptive answer isn’t it? Because Bernard Manning made loads of people laugh and the general consensus at this particular historical juncture is that he was a fat racist cunt. Albeit a fat racist cunt with good timing. So it can’t be that the role of comedy is simply to make people laugh. There seems to be what we could call a moral hierarchy.
Enter Micheal McIntyre. Continue reading