Some time ago Nth Mind published a series of articles about Robert Anton Wilson, the final on of which, Keeping the Cosmic Trigger Happy Part 3: RAW and the Comix Underground (click on the title to read it) discussed the work of John Thompson, artist for Cosmic Trigger and co-founder of the comix anthology The Yellow Dog. In the time since publishing that article I have been able to contact Thompson who had some very kind words about the original article. Moreover, John was good enough to agree to an interview as a follow-up to that article, the final version of which is presented below. I hope this interview encourages readers to follow the links included within, find out more about John’s (and his wife Judy’s) extraordinary art and contribute, as always, to keeping the cosmic trigger happy.
So settle down, get comfortable, and we’ll begin.
NTH MIND: When did your interest in art begin?
JOHN THOMPSON: As a small child I was drawn to some forms of Gnostic Christianity and a few schools of Buddhism, and can recall past lives where I illustrated and copied manuscripts. So as a little boy I tried to draw and write like I once did, and was frustrated that my abilities had not yet matured to do this. Then in Fifth Grade my books full of strange words and detailed drawings evolved, thanks to my teacher Mr. Sciara (Greek). Past life memories always have me in a loving family, in cultures without currency or fame or even signing pages, cultures involving Luang Prabang circa 1830, Languedoc/Provence 1200s, and rural hills of Western Sichuan . In these places my happy childhood involved copying books and illustrating them. Also ancient Miwoks of the Central Sierras, S E England’s Six Celtic Clans, and Greco-Alexandrian culture.
NTH MIND: Who were/are your artistic influences?
JOHN THOMPSON: Seeing Blake’s works was one of my happiest childhood memories.
NTH MIND: In Art in Time you list astrological symbolism of the Hellenist Greeks, Pythagorean Revival ideas mixed with celtic lore and Jewish mysticism, Swedenborg, Walt Whitman and Nyingma Buddhism as influences on your work. Also you wrote to me that, “In Edinburgh 1970 I researched my ancestral home, and in London studied Dr Dee & The Golden Dawn etc, so I’m a big fan of British esoteric lit & art.” When did you first become interested/initiated into esoteric ideas?
JOHN THOMPSON: Behavioral Psychologists agree that most children develop cognitive patterns the first six years of life, so I’ve been “thinking” like this since being born here in Carmel in 1945, surrounded by natural beauty of this coast. Such thoughts may seem esoteric to those who think differently, but not to like-minded people.
NTH MIND: At what point did you start including these ideas in your art?
JOHN THOMPSON: As soon as my hand held a pencil and my mouth could form words. Continue reading