Category Archives: jokes

Let us rest and catch our breath a while…

Laughter on the Outskirts, August 1st-25th, 19.45, Jekyll and Hyde

Hello humans!

Nth Mind has been rather quiet for a while. Events in the meat world have meant that this blog has had to take a back-seat.  These events include finishing my thesis and handing it in for the examiners, with a viva set for late September. So you will have to forgive me if am both drained and deranged. But fear not, gentle reader, posts existing at various stages of completion include a three-part exploration of the economic, social and philosophical implications of robots; a delve into Disney’s darker and more deranged cinematic output; a theory on the two modes of transcendental style in cinema; an exploration of the links between transgender and posthumanism; an examination of language as a control mechanism by way of Genesis P-Orridge and William S. Burroughs (“language is a virus from outer-space”), and more. Towards the end of the year I will also be writing about my Quixotic attempt to watch 500 films in one year. I warn you now: there will be unnecessary charts and graphs. With the thesis in the bag (writing-wise, if not examination-wise) there should be some time to hammer these out.

Not in August however, when I leave the world of failing miserably to become an academic behind for a while to enter the world of failing miserably to become a comedian, The show Laughter on the Outskirts (with partner-in-crime Woodward) starts at the Edinburgh Festival in August. It’s on at 19.45 everyday, from the 1st to 25th August at the Jekyll and Hyde, Hanover Street. It’s free! And there’s also the possibility of getting a free souvenir fanzine!

Not that academia and comedy can’t mix. I’m super-excited to be taking part in one of the many Bright Club shows at the festival, all of which are worth your time. More details on Bright Club and its inspired mix of academic research presented as stand-up comedy here.

I’m also involved in a few other bits and pieces, details of which are below.

And that’s about all. if any regular readers of the blog (are there any regular readers of the blog?) find themselves in Edinburgh during August then please come along, track me down, buy me drinks, and chat about posthumanism, comedy, comics, occultism, and all the other fine diversions Nth Mind specialises in. If you are not in Edinburgh in August I promise I will be writing about those same things in September.

If I survive…

Dates, dates, dates:

August 01- Laughter on the Outskirts, 19.45 Jekyll and Hyde Continue reading


Joke Writing and the Exquisite Corpse

A few weeks back I wrote a post about applying the cut-up technique to comic books where I mentioned  Robert B. Ray’s excellent book The Avant-garde find Andy Hardy. In that book Ray highlights the surrealist’s use of a parlour game they called Exquisite Corpse,  a method of collectively assembling words or images; the name of which derived from a phrase that was created when they first played the game: “Le cadavre exquis boira le vin nouveau.” (“The exquisite corpse will drink the new wine.” (thanks wikipedia!)

Here’s what they have to say over at exquistecorpse.com:

Among Surrealist techniques exploiting the mystique of accident was a kind of collective collage of words or images called the cadavre exquis (exquisite corpse). Based on an old parlor game, it was played by several people, each of whom would write a phrase on a sheet of paper, fold the paper to conceal part of it, and pass it on to the next player for his contribution. The technique got its name from results obtained in initial playing, “Le cadavre / exquis / boira / le vin / nouveau” (The exquisite corpse will drink the young wine). Other examples are: “The dormitory of friable little girls puts the odious box right” and “The Senegal oyster will eat the tricolor bread.” These poetic fragments were felt to reveal what Nicolas Calas characterized as the “unconscious reality in the personality of the group” resulting from a process of what Ernst called “mental contagion.” At the same time, they represented the transposition of Lautréamont’s classic verbal collage to a collective level, in effect fulfilling his injunction– frequently cited in Surrealist texts–that “poetry must be made by all and not by one.”

The ‘mystique of accident’ was of course explored in the previous post on cut-ups. In this post I want to apply the exquisite corpse technique to joke-writing. That’s just how I roll people. Deal with it!

METHODS

I posted on twitter and facebook for people to give me two nouns, two adjectives, and two verbs. No-one who replied had any idea of the purpose of this exercise. Some participants used the same two words for each category (e.g. crap and shit). Including these repeated words would have lessened the potential for chaos and real chance in the exercise so they were eliminated. All in all I ended up with the following terms 18 adjectives, 18 verbs and 18 nouns. I wrote these down on bits of paper, folded them and sorted them into piles. I then picked adjectives, nouns, and verbs from their respective piles at random and inserted them into the following four classic joke structures. Naturally it would be possible to take issue with or alter which nouns, verbs and adjectives could be replaced in each joke but really? People are starving in Africa you know. Let’s just crack on with this shall we? I decided on the following frameworks:

1.Knock, knock!

Who’s there?

NOUN

NOUN who?

NOUN VERB ADJECTIVE NOUN

2. Why did the NOUN cross the road?

To VERB the ADJECTIVE NOUN

3. How many NOUNS does it take to change a lightbulb?

Two. One to VERB it and one to VERB ADJECTIVE.

4. A NOUN and a NOUN walk into a bar.

The barman says, “VERB ADJECTIVE”.

 

RESULTS

Knock, knock!

Who’s there?

Mahogany.

Mahogany who?

Mahogany running fluffy dwarf.

……..

Knock, knock!

Who’s there?

Dog.

Dog who?

Dog rebuke pensive cat.

…………

Why did the mountain cross the road?

To cry to the mellifluous pig.

………

Why did the corpse cross the road?

To melt the abject raconteur.

………

Why did the apple cross the road?

To wash the scenic house.

……..

Why did the elbow cross the road?

To climax the exquisite door.

………

How many barrows does it take to change a lightbulb?

Two. One to boom it and one to exist wobbly.

………

How many crabs does it take to change a lightbulb?

Two. One to smile and one to rotundly calibrate.

……….

How many tables does it take to change a lightbulb?

Two. One to run and one to flip stinky.

……….

A conker and a music walk into a bar.

The barman says, “Read colourful”.

……….

A thalidomide and a book walk into a bar.

The barman says, “smelly sighing”.

………….

DISCUSSION

As I’m sure you agree, this experiment in surrealist joke writing techniques has resulted in the most hilarious jokes humankind has ever witnessed! Naturally I will now give up writing jokes the traditional linear single-author manner and begin writing all my material in this collaborative, non-linear manner. Next time I appear on stage these are the only jokes I will be telling. Maybe not though (although that might be an interesting follow-up experiment at some point). At the very least we’ve ended up with some interesting poetic non-sequiturs. Who amongst us has not wanted to witness a dog rebuke a pensive cat? Or “cry to the mellifluous pig”? If any comedians reading this are willing to risk it and use these punch lines please feel free. They are a group effort after all, products of the hive mind/nth mind rather than a single author. Personally I would be interested to hear how they went.

In the meantime, if anyone else has any suggestions for surrealist/automatic writing techniques we might apply to jokes then please get in touch. because clearly I have little else to do! Thanks for reading (and to everyone who offered their adjectives, nouns and verbs!) and see you on the other side.